London-based artist Ethan Caflisch has established a certain level of comfort in continuing his well known textile series. However, with that comfort of knowing what mistakes to avoid, comes the urge to expand – to start a new piece and intentionally creating chaos in order to fix it. To find it’s subtle and carefully thought-out alchemy. No matter how comfortable you are with a process, a composition or a skill, the discovery of something new is always the most fulfilling.
The series can be described in the artists own words: a revisitation to a place i know and have shaped but isnt how i left it. the punctures from top to bottom bond and hide. the initial carelessness from sprinting is what now requires surgery. there is still a view through the glass, or maybe its open, who knows anymore. the horizontal rarely changes at a distance, its the vertical that disrupts; although the force applied to make it work messes with that line a bit. the things that keep me going now are the importance of the material, and saving it, preserving it, presenting it
In dying for a while, Caflisch uses his signature abstract style to slowly reveal the meaning behind the eponymous unrealized film. Containing dark or potentially confrontational themes, the acrylic paintings in the figurative series convey Caflischs interest in the transition between seriousness and acting, encouraging the viewer to consider each painted silhouettes motive as they move across color-block backgrounds.
